A few quick notes on Bruce Springsteen’s San Francisco stop on the Born to Run book tour …
The event was a 90-minute onstage interview for the venerable City Arts and Lectures series. It was recorded for San Francisco’s public broadcasting station KQED-FM, and will air on KQED at 1 p.m. Sunday (Pacific time), Oct. 16. City Arts broadcasts also air nationally; check your public radio station for details.
The talk took place at the 1700-seat Nourse Theater. Before the doors opened, fans congregated at the stage entrance and posed for selfies in front of the poster advertising the sold-out show. It was a concert atmosphere, except for one thing: Bruce T-shirts were equalled by San Francisco Giants gear. This is after all, an even-year October.
Once doors opened, the line to purchase pre-autographed copies of Born to Run snaked outside into the courtyard. In the auditorium, fans posed in front of the sparse stage set — two empty orange wing chairs, a little table and a vase of tulips — cradling their copies of the book, or sang along to the Springsteen greatest hits mix blasting from the speakers while checking the National League Wild-Card game on their phones. We are Springsteen fans. We are Giant.
Springsteen shambled onstage looking like his off-duty self in spiffy leather jacket, gray T shirt, distressed jeans and biker boots. He acknowledged the roof-rattling ovation with an “Oh, stop” wave.
The interview itself, while enjoyable, offered little that differed from the Vanity Fair, Rolling Stone and Terry Gross interviews. The problem was the interviewer, Dan Stone. Stone seems to be the go-to guy for City Arts’ interviews with rock musicians. I don’t know how his interview with Patti Smith the night before for the same series went, but he was overmatched for his interview with Elvis Costello last year (Costello, a superb interviewer himself, simply took control and steered the program in a more enlightening direction) and un-imaginative for Springsteen. Maybe he was going on the assumption that his audience was not made up of music fans, but this crowd — many of whom became members of City Arts and Lectures in order to purchase tickets at the member pre-sale — needed more than questions that covered the same well-trod ground. Also, dude — so many Dylan references!
Bruce read a few passages from the book, and did a lovely job of it — as soon as someone emerged from the wings to loan him a pair of drugstore reading glasses. Springsteen explained that he left his own readers “in the car … They’re weird and red, ’cause I only use them in bed.” Now there’s a mental image that was almost worth the price of admission.
The audience erupted in loud, long applause when Stone brought up Springsteen’s cancellation of the E Street Band’s North Carolina concert earlier this year in protest of the state’s anti-LGBT laws. “Folks that are real fans of our music will understand where I’m coming from,” said Springsteen.
Asked if he thought about creating a persona or stage name, like Bob Dylan did, when he was starting out, Springsteen deadpanned , “I did do that. It’s been so mysterious that nobody’s caught on yet.”
In response to a question about why he dropped the bar band sound of his early days when he signed as a solo artist with Columbia, Springsteen answered, “The degree of difficulty of the lyrics on Greetings from Asbury Park would have made people twice as drunk.”
One random but amusing tidbit about the night he first met producer Jon Landau at Joe’s Place in Cambridge, Mass. (the “I’ve seen rock and roll future” gigs): Organist Danny Federici played the shows with a huge white bandage on his forehead covering an injury sustained in a car accident. Federici happened to have been wearing a huge cowboy hat at the time of the crash. The hat, says Bruce “saved him from disfigurement.”
Asked which current artist deserves to be called the “Voice of a Generation,” Springsteen talked up Kendrick Lamar.
Springsteen got a bit feisty when answering Stone’s question about writing from the working-class perspective after he attained wealth: Nobody “asks Martin Scorsese why isn’t he in the mafia.” Continuing on, Springsteen talked about how working-class roots never leave you, joking, “That’s how you get Howard Hughes naked in a chair in his 60’s saving Kleenex … which I hope I don’t end up that way.”
Ticket holders were given the opportunity to submit questions via email before the program, and Stone read a few of them to close out the evening. From this part of the interview we learned that, as a child, Springsteen’s favorite book was The Wizard of Oz. (“Pay no attention to the man behind the curtain,” he chuckled.) As an adult, Springsteen really dug reading Moby Dick (“more than you ever wanted to know about whales”), the great Russian novelists and the dark fiction of Jim Thompson and Flannery O’Connor.
And that was that. Springsteen didn’t pull out a guitar and play (a long-shot hope, for sure), and there was no meet-and-greet, though some fans got lucky and caught him for an autograph while he was leaving the theater. But it was a chance for us to see Springsteen in an intimate venue, give him and his beautifully-written autobiography some love, and to assemble with fellow fans between concert tours. And the Giants won. Best of all worlds.
©Joyce Millman, The Mix Tape, 2016